“i’m sick of change.” alicia decided it’s time for a detour. or maybe just a course-correction. she’s going to take a break from writing about leading change in business, and write about creating change in your personal life. She and Hal have a 10 year plan (and have been heartily teased about it). But you put a designer and a strategist together and you get a hybrid control freak in need of an outlet.
from the interview: “For good or for ill, I’m that most dangerous of souls: I know a little bit about a lot of things. My core discipline is storytelling. The job I’m hired most often to do is strategy. My sense is that strategy (at least when I feel the most effortless and powerful) is a fantastic outline for a corker of a story.”
johnson + wolverton’s 2017 indycar campaign, next, intended to catapult the league into the future… and it appears the future is now. according to a recent new york times article, “indyCar racing, with sleek open-wheeled racers that can turn 220-mile-per-hour laps, appears to have established a foothold after spinning for two decades.”
johnson + wolverton has a fierce focus on being where a brand’s fans are, and has been collaborating with indycar over the last four years to move the brand closer to a younger fan base. “we’re ascending again as a sport,” says cmo cj o’donnell. indy’s ceo, mark miles, seconds that emotion: “i don’t see any cap to our growth.”
next is the fourth chapter in a campaign series started in 2014.
INDYCAR just released a video teasing the new communication plan for the 2017 season, which highlights the future of the renowned racing brand. this year’s theme, NEXT, is the fourth installment of INDYCAR’s Racing Heart campaign, developed in 2014 by johnson + wolverton. building off of 2016’s LEGENDS, NEXT conveys the message of the continued growth and momentum of the country’s fastest-growing form of motorsport with the thrilling speed and heart-thumping sound audiences have come to expect from INDYCAR. “Coming off the legendary 100th running of the 500 we needed to create something that catapulted the league into the future,” says alicia of their campaign concept. “We embraced an aesthetic that captures the energy and thrill of being at a race, the rush of gaming, and the intensity of the drivers. I love that it feels like you can’t quite keep up with it.”
hal and alicia just spent 5 weeks shooting on-site in italy for their project, positano: ad occhi aperti. the digital novel is the second story in a series featuring protagonist stan gardner. the first story was the basis for 2003’s sound installation at Northview Gallery rothenberg: the shame bath.
jw is built on the reality that everything changes, and fast. how can a brand stay relevant when the ground it stands on shifts constantly beneath its feet? an empowered relationship to change is critical to survival and to thriving. the capacity to lead it is an awe-inspiring art. jw is honored to have worked with masters. this year alicia is going to explore change and its co-conspirators, curiosity and vision, with a series of posts on the blog.
the year heats up as ‘rectify’ returns to sundanceTV on june 19th, and #indyrivals return to the track in houston on june 28th. amazing brands, thrilling entertainment.
we’ve wished for many things over the years. mostly our wishes have come true. amazing, i know. but true. i always try to keep our clients focused on their wishes, the biggest successes they can imagine and then contribute to those wishes. add our firepower and will to making them real.
the summer is ending, and as an old teacher used to say to me, “it’s time to dream a new dream.” i was curious about the difference between a wish and a dream. there’s a lot of overlap. maybe a bit more active fervency to a wish, a bit more contemplation to a dream. so my wish (it’s more active, more fervent) is a ‘paris of the north’ type affair going on in our studio this winter. a hubbub of film making, a steaming cauldron of ideas, a deep joy to living the life we’ve built.
several years ago we were invited back to portland to present our work for the aiga. it was at a pretty big theatre and we thought it would be cool to have something happening while people were walking in so we did an essay on what we had learned since leaving portland, and had fred read it… my enduring favorite is “it is better not to reply than to ‘reply all’ in anger.”